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| Residencies, Awards |
| 2014 |
Visiting Artist, American Academy in Rome, Nov/Dec, 2014 |
| 2007-08 |
Artist In Residence, Kala Art Institute, Berkeley, CA |
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| Gallery Affiliations |
| SFMOMA Artists Gallery, San Francisco, CA |
| OPUS Art Collective, managed by Jen Tough Gallery, Benicia, CA |
| Saatchi Art at saatchiart.com |
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| Selected Exhibitions |
| 2019 |
The Ladies Room, Jen Tough Gallery, curated by Danielle Krysa (aka The Jealous Curator), San Francisco, CA, Oct 25-27
Art Comes Alive, ADC Fine Arts, Cincinnati OH
Art Santa Fe, Opus Art Collective managed by Jen Tough Gallery, Del Mar, CA
Flora + Fauna, Jen Tough Gallery, Benicia, CA, Feb/Mar |
| 2005-2019 |
Connect & Collect, yearly invitational, Institute of Contemporary Art, San Jose CA |
| 2018 |
Art San Diego, Opus Art Collective managed by Jen Tough Gallery, Del Mar, CA |
| 2017 |
Three Sisters:Off The Grid, Joshua Tree Art Gallery, Joshua Tree, CA, April/May |
| 2016 |
Art Party, San Jose CA |
| 2014 |
Art Comes Alive, ADC Fine Arts, Cincinnati OH
Sixth Annual 50/50 Show, curated by Jack Fischer, Sanchez Art Center, Pacifica, CA
Art Party, San Jose CA
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2013 |
A Single Grain of Rice, Galerie Métanoïa, Paris, France
Array, Berkeley Art Center, Berkeley, CA
Solo Exhibition, Mary Souza Art Gallery Showcase, Wilkes Bashford, Palo Alto, CA
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| 2011 |
Print Fair at ArtHouse, Institute of Contemporary Art, San Jose CA
Art Party, San Jose CA
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| 2010 |
March Opening, L Ross Gallery, Memphis, TN
Art Party, San Jose CA
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| 2010-2004 |
Monotype Marathon, Institute of Contemporary Art, San Jose, CA, yearly |
| 2009 |
New Realities, Gallery Artists Group Show, New Gallery, Houston, TX
Fall Opening, Gallery Artists Group Show, New Gallery, Houston, T |
| 2008 |
Kala Artists’ Annual, Kala Art Institute, Berkeley, CA
Summer Selections, curated by William Torphy, Mad River Post, San Francisco CA
Off State Street, Orchard Commercial - North First ARTSpace, San Jose CA
Works on Paper, Orchard Commercial - North First ARTSpace, San Jose CA |
| 2007 |
Metamorphosis, Green Rice Gallery, San Jose, CA
Pathways, Stanford Center for Nursing Excellence, Palo Alto, CA
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| 2005 |
A Token of My Affection, Tercera Gallery, Los Gatos CA
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| 2004 |
Solo Exhibition, Figures and Figments, Angelico Gallery, Menlo Park |
| 1998 |
Featured Exhibition, Matrix Gallery, Sacramento, CA
Communities Empowered, Bade Museum, Pacific School of Religion,
Berkeley, CA
Women, Art, and Culture, Stanford University Women's Center, Stanford, CA |
| 1997 |
Two-Person Exhibition, University YWCA, Berkeley, CA
June Juried Show, curated by Marian Parmenter, Gallery route One, Pt. Reyes, CA
Exposed: A Contemporary View of the Human Figure, curated by Katherine Levin-Lau, The Santa Cruz Art League, Santa Cruz, CA
Women's Caucus for Art, Southbay Chapter Invitational Exhibition, curated by Lisa Lodeski, Lynn House Gallery,Antioch, CA
Receptivity, Hewlett Library, Graduate Theological Union, Berkeley, CA |
| 1996,1997 |
The Female Form and Spirit, The Sculpture Group Gallery, Blackhawk Plaza, Danville, CA |
| 1996 |
New Garments for Old Stories: Reinterpreting Our Lives, Women’s Caucus for the Arts, Northern California Regional Conference /Exhibition, Prieto Gallery, Mills College, Oakland, CA |
| 1995 |
Art As A Healing Force: Selections from the Bade Museum Show, Galeria Tonantzin, San Juan Bautista, CA |
| 1994 |
Art As A Healing Force: Personal Transformation, Bade Museum, Pacific School of Religion, Berkeley, CA |
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| Bibliography |
| Daniel Garcia, Mary Souza: The Process in Painting, CONTENT Magazine, Issue 6.5, December 2014-January 2015 |
Rebecca Wilson, Curator, Muse Through Red, In Abstraction: New Abstract Collection, Saatchi Art Homepage, May 2014 |
Editor, Shopping for the Home section, Emerging Red, (illustration and review)
Discover Silicon Valley, November, 1999 |
Editor, Religion and Ethics section, “Human Nature Explored in Lenten Series,”
San Jose Mercury News, March 7, 1998 |
Editor, “Cupertino Artist Shares Limelight With Author of Dead Man Walking,”
The Mission Bell (Episcopal Diocese of El Camino Real), December 1997 |
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| Publications |
In The Pink and In Purple Descending, Studio Visit Magazine, Volume 6,
April 2009, pp 170-171, The Open Studios Press, Boston, MA |
Boundless, illustration for “The Night of Wrestling,” by Jennifer Davidson,
The Other Side, p. 19, Mar-Apr 2004 |
Spiral Figure, illustration for “Why I Love My Jailers,” by Troy Chapman,
The Other Side, p. 54, Nov-Dec, 1999 |
Red Surround, illustration for “Walking Through the Fire," by Helen Prejean, CSJ,
The Other Side, p. 15, Sept-Dec. 1997 |
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| Lectures and Artist Panels |
| 1998 |
Guest Lecturer, The Mysteries, Follies and Glory of Human Nature,
Writers and Artists lecture series, Trinity Episcopal Cathedral, San Jose, CA
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| 1995 |
Invited panelist, As A Healing Force: Selections from the Bade Museum
Show, Galeria Tonantzin, San Juan Bautista, CA |
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| Education |
| University of California, Berkeley, B.A. English |
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| Additional Postgraduate Studies |
| 2014 |
Independent Study with Roberto Mannino, Rome Italy, paper pulp painting |
| 2006-2007 |
Workshops at Kala Institute of Art, including Kala-Trillium Summer Institute of Innovative Printmaking |
| 1994 |
San Francisco Art Institute, San Francisco, CA – summer course, “Art, Psyche and Spirit,” with Fred Martin |
| 1987-1995 |
De Anza College, Cupertino, CA - art history and studio art courses, including oil painting with Monroe Hodder |
| 1988-89 |
Pacific School of Religion, Berkeley, CA, summer session courses in art and spirituality, instructors Doug Adams, John Dillinberger |
| 1986 |
California College of Arts and Crafts Extension, Oakland, CA “Traditional Japanese Papermaking,” with David Kimball of Magnolia Editions |
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| Collections |
| Koret Foundation, San Francisco, CA |
| Rubicon Consulting, Los Gatos, CA |
| Private Collections, worldwide |
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